Monday, August 29, 2016

CPS Internship 2016 Journal

CPS Internship 2016 Journal

To fufill the academic requirements of my CPS internship in the Summer-Fall 2016 semesters my faculty advisor Todd Canedy is requiring an journal of my expectations, growth, and experiences as an intern.

I had signed on to be a CPS intern last spring semester after giving Tori Oakes my resume. At the time there was some concern that I might have a schedule conflict for the Summer 2016 productions of Mary Poppins and Ring Of Fire, the two shows for which I was to serve as an intern.

A miscommunication occurred in which Tori believed for a time that there was in fact a schedule conflict on my end that did not exist. Immediately prior to the Mary Poppins production I got into contact with Tori to prepare for the internship, and we worked out the nature of the miscommunication which lead to me filing paperwork with Tobi White in the continuing education office to have an internship that would start in the Summer 2016 semester, and end with 120 contact hours with CPS in the Fall 2016 semester.

I am much indebted to the fact that Tobi White found  some scholarship money to finance this internship because as an non-traditional student my finances are very constrained.

My work in the summer, turned out to rather being a crew member assigned to one of the CPS productions I served as an extra hand during the strike of Ring of Fire, as well as helping Tori and other members of the drama department prepare the PAC for the coming Fall Semester.

This work included moving dance bars from one studio to another, sweeping and mopping sets, arranging lobby chairs,  moving prop furniture from one theater to another in the PAC and other general labor duties.

At the beginning of the school semester Tori and I met to tally my total number of hours performed on during the summer and concluded that I had 28/120 of my contact hours completed during that period.

Tori also expressed that my expected first major duties during the semester would be to assist Alexis Foster in the costume shop, and to aid in the set construction for the Crane Opera.

I am to continue to put in 6 contact hours a week, over 2 three hour blocks as well as respond to other requests for my services as needed.

Wednesday, May 25, 2016

Psych Ward Macbeth: Re-loaded

Psych Ward Macbeth: Re-loaded

As part of my Costume Design Portfolio final, I did some redesigns and alterations (pun intended!!) to my "Psych Ward Macbeth" design from my first semester at Potsdam. 

Links: 
http://titanicplays.blogspot.com/2014/12/the-assignment-minimum-requirements.html
http://titanicplays.blogspot.com/2014/12/macbeth-adaption-set-design.html
http://titanicplays.blogspot.com/2014/12/macbeth-adaption-notes.html
http://titanicplays.blogspot.com/2014/12/macbeth-adaptation-timeline.html
http://titanicplays.blogspot.com/2014/12/concept-artstage-design-psych-ward.html


Aside from the costume changes (and the fact they are MUCH better drawn, I've been practicing) other notes include:

*The setting of the play, is specifically an Psych Ward in Las Vegas Nevada, specifically on Christmas eve. This allows for the Elvis impersonator/king Duncan to be handy, as well as the weird sisters being showgirls, Lady Macbeth a drag queen, as well as the faux Christmas tree/Birnam wood. Handy!!

*The Freudian archtypes have been re-cast. My professor noted that they didn't QUITE match up as originally conceived. So, to fix things I set Macbeth as ego (decision maker), Lady Macbeth as Id (Devil on shoulder) Banquo as superego (conscience) and the weird sisters as his madness. (note, I based this casting on a "Shortcut" I found on TV tropes.)

 http://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/IdSuperegoAndEgo

*A friend recommended that the "Shakespeare stuff" happen on an projection screen above the mad doctor's office. This is a amazing idea, as it would allow for a smaller set, and maintain the "this is all in his head" feel of the original set design. As an additional plus, it would require fewer actors, as the actors could have their Shakespeare bits pre-recorded, thus reducing/eliminating the need to cast a full set of twins/body doubles for this show.

*I decided that this production most definetly falls squarely in the "horror" genre. As such, some roles/costumes/set pieces are to be used for strictly comedic effect so that the audince is able to be scared fresh each time the mad doctor murders someone. As an additional means of following the horror genre (and also a way to guarantee minors do not attend this production and get scared witless,) the "weird sisters" now have a very, very skintastic/slutty design that has their nipples exposed. Not only does this work well with the madness/vegas theme, but it works with the "fair is foul, foul is fair" as I also made their costumes intentionally clash and have gods-awful color patters.

Without further ado, here are the new costume designs!!













A midsummer night's dream. With NINJAS!!! Pt III

A midsummer night's dream. With NINJAS!!! Pt III

by Jason Shirtz

Part I
http://titanicplays.blogspot.com/2016/03/a-midsummers-night-dream-with-ninjas.html
Part II
http://titanicplays.blogspot.com/2016/03/a-midsummer-nights-dream-with-ninjas.html

I Updated my designs for Oberon, Titania, and Puck for my Costume Design portfolio presentation. Pretty much the same story/justifications as the prior versions. New features include:

*Oberon/Jiraya now has his sword on his back. It looks better.
*Titania/Tsunade now has slug Antennae on her head. 
*Titania/Tsunade now shows more leg.
*Titania/Tsunade's design is now to make her a "genki" girl. It also is invoking the "batman and robin effect" where a dark, brooding shadow bound hero has a bright cheery, easily spotted sidekick.
*Puck/Orochimaru is pretty much the same, but better drawn, and hopefully more EVIL looking!




Monday, May 9, 2016

scene study 3/24

Getting the hang of this  monologue stuff. Also ,kim wants us off book pretty damn soon. as in april 5th. Gonna get working hard on it.


Scene Study 3/22

Scene Study 3/22

I figured out some basic prep-work for my monologues. Basically I read the whole section (multilpe times) then read the major monologues (multuplle times). I do it say 10x in a row, then try to do it off book. I rinse and repeat for every major beat/unit till i have it done. and damn. This process takes a while.

Scene study 3/17

Scene study 3/17

Realized during reading the script today. I have a ton of monologue in my scene. It's time to start prepping!

Scene Study 3/15

Scene Study 3/15

I got john 3. I was hoping to avoid any kissing scenes/initmacy, which i thought was mostly in scene 4. Apparently, there is some in here. It's less that I'm uncomfortable with doing that with scene work, and more that i'm not enthused about working with college students on that kind of thing. So much extra drama.